National
It is torturous watching one's work on screen: Roshan Mathew
New Delhi, April 1 (IANS) He may have been discovered by Hindi audiences post his appearance in the film ‘Darlings’, though actor Roshan Mathew, who started his career with theatre, has long been effortlessly navigating the Malayalam, Tamil, and Telugu film industries.
A pass-out from the Drama School in Mumbai, the actor smiles that it can be torturous watching one’s work on the screen and a lot of people feel that way.
“Of course, it is essential to set your expectations high as one strives for artistic excellence. But remember, the actor enters the movie for a short duration during the entire filmmaking process. It is the director, who is involved in every aspect of the process. By the time the film comes out, and you watch yourself on the screen, you already know what is going to happen. One is surprised to observe the work that has gone into the post-production phase and all. So many people embellish your work. But yes, I have been trying to teach myself to get better at watching myself.”
Someone who had his first major role in the 2016 film ’Puthiya Niyamam’, admits that ‘Darlings’ (2022) has been like a steroid for him.
“It was the biggest project I have worked on, both in terms of scale and stars. Every actor needs ‘visibility’, and I do not come from a film factory. ‘Darlings’ was watched by a large number of people and I quite liked my character in it,” said the actor, whose father is a bank manager and mother a retired PWD engineer in Kottayam.
Even though Mathew works in diverse industries, he always ‘comes back’ to Malayalam cinema.
Stressing that is where he belongs and that is where his story started, he said: “My childhood was spent mostly in Kerala. Besides, fantastic films are being made in Malayalam. So many people continue to inspire me and the list of people I want to collaborate with is just growing. So there is always a reason to go back home.”
From Karan Johar to filmmakers across the country, everyone is talking about Malayalam films that are making their presence felt at major film festivals across the country and also doing well in theatres. Mathew feels that in Kerala there has always been a climate that lends itself to the growth of independent films.
“As long as there is mainstream, there will always be a parallel stream. As long as there are people brave enough to think and envision, independent cinema will continue to thrive,” said the actor, who was in Chandigarh during the recently concluded CineVesture International Film Festival (CIFF).
Is he also looking to work in independent films?
“Of course, I would like to collaborate with parallel streams and people who are not doing mainstream cinema. They bring forth so many original thoughts which can be illuminating to explore,” he smiles.
The actor, who began his career with numerous theatre productions based in Chennai and Mumbai including ’The Glass Menagerie’ directed by Rajit Kapoor and ‘07/07/07’ directed by Faezeh Jalali, feels theatre has taught him everything, and before he did his debut film, he already had five years of professional theatre experience.
“I went into my first shoot with the assurance that I know how to act and the atmospherics were not alien to me.”
Mathew, who played the lead role in ‘Paradise’ (2023), a Sri Lankan-Indian co-produced drama film co-written and directed by Prasanna Vithanage, which is being received well at film festivals across the world, said that he is glad that the movie is travelling so much.
“It is a story that is truly universal, revolving around a couple and things that can happen in a relationship. This film is very special to me, owing to the people involved and the fact that it is multilingual,” concludes the actor, who will soon be seen with Janhvi Kapoor in the film ‘Ulajh’, a web series in Hindi and a Malayalam film.
–IANS
sukant/prw
National
Defence Ministry: Year 2025 will be year of reforms
On Wednesday, the Defence Ministry announced that 2025 will be designated as the “Year of Reforms,” with a primary focus on establishing integrated theatre commands to enhance collaboration among the three branches of the military.
These reforms are aimed at transforming the armed forces into a technologically advanced, combat-ready force capable of executing multi-domain integrated operations, the ministry stated.
The initiative will emphasize emerging domains such as cyber and space, alongside cutting-edge technologies like artificial intelligence, machine learning, hypersonics, and robotics.
Defence Minister Rajnath Singh described the “Year of Reforms” as a pivotal milestone in the modernization of the armed forces.
“It will set the stage for significant advancements in the nation’s defense capabilities, ensuring the security and sovereignty of India in the face of 21st-century challenges,” he said.
National
A 3.2 magnitude tremor struck Gujarat’s Kutch district on Wednesday morning
A 3.2 magnitude tremor struck Gujarat’s Kutch district on Wednesday morning, according to the Institute of Seismological Research (ISR).
The district administration reported no casualties or property damage following the quake.
The tremor occurred at 10:24 am, with its epicenter located 23 kilometers north-northeast (NNE) of Bhachau, as per the Gandhinagar-based ISR.
Last month, the region experienced four seismic events exceeding a magnitude of 3, including a 3.2 magnitude tremor just three days ago, with its epicenter also near Bhachau.
Earlier tremors in the area included a 3.7 magnitude earthquake on December 23 and a 3.2 magnitude event on December 7, according to ISR reports.
Kutch was also jolted by a 4.0 magnitude earthquake on November 18, 2024. On November 15, a 4.2 magnitude quake hit Patan in north Gujarat, based on ISR data.
Gujarat is considered a high-risk earthquake zone, having experienced nine major earthquakes over the past 200 years, according to the Gujarat State Disaster Management Authority (GSDMA). The 2001 earthquake in Kutch, which occurred on January 26, was the third-largest and second-most destructive in India in the last two centuries, according to the GSDMA.
National
Diljit Dosanjh faces legal action over concert songs
Singer and actor Diljit Dosanjh’s much-anticipated New Year’s Eve concert in Ludhiana faced legal hurdles after a complaint was filed by Punditrao Dharenavar, an assistant professor from Chandigarh.
Following the complaint, the Deputy Director of the Women and Child Department, Government of Punjab, issued a formal notice to Ludhiana’s District Commissioner, urging them to prohibit Dosanjh from performing specific songs during his live show on December 31, 2024.
The notice specifically targets songs accused of promoting alcohol, including Patiala Peg, 5 Tara Theke, and Case (Jeeb Vicho Feem Labbiya), even if the lyrics are slightly modified. The complaint points to previous warnings issued to Dosanjh by various commissions advising against performing these controversial tracks.
Despite these warnings, the singer allegedly continues to perform the songs with minor alterations. Dharenavar raised serious concerns about the influence of such music on young audiences, especially when minors are present at live events.
Adding to the controversy, Dharenavar referenced a 2019 Punjab and Haryana High Court ruling, which directed law enforcement to ensure that songs promoting alcohol, drugs, or violence are not played at public events, including concerts. This ruling underscores the legal basis for the complaint and has further intensified the scrutiny surrounding the event.
National
UP Minister’s convoy overturns, 5 person injured
Five people sustained injuries when a vehicle in the convoy of Uttar Pradesh Minister and Nishad Party chief Sanjay Nishad overturned into a ditch near Januan village in the Khejuri Police Station area of Ballia district late last night.
Sanjay Nishad shared details of the incident, stating that the accident injured five party workers, including four women.
“I was traveling with the convoy to participate in the Constitutional Rights Yatra organized by the party on Tuesday night. Near Januan village in the Khejuri area, one of the vehicles following the convoy lost control while trying to avoid an animal and overturned into a ditch,” Nishad explained.
The injured individuals have been identified as Rakesh Nishad, Ramrati, Usha, Geeta, and Iravati Nishad.
Senior police and administrative officials quickly arrived at the scene following the incident to oversee the situation.
National
Suchir Balaji’s mother alleges Murder
The mother of Suchir Balaji, a 26-year-old former OpenAI researcher found dead after accusing the company of copyright violations, has alleged that her son was “murdered” and called for a Federal Bureau of Investigation (FBI) probe.
Poornima Rao, Suchir’s mother, claimed her son’s death was a “cold-blooded murder” that authorities wrongly ruled as suicide. She further disclosed that a private autopsy report conflicted with the findings of the initial police investigation.
Rao alleged that her son’s apartment had been “ransacked” and cited evidence of a struggle in the bathroom, including bloodstains that suggested he had been assaulted.
“We hired a private investigator and conducted a second autopsy to uncover the truth. The private autopsy does not confirm the cause of death stated by the police. Suchir’s apartment was ransacked, there were signs of a struggle in the bathroom, and it appears he was hit based on blood spots. This is a cold-blooded murder being misclassified as a suicide. Lobbying in San Francisco won’t deter us from seeking justice. We demand an FBI investigation,” Rao wrote on X.
Elon Musk reacted to Rao’s post, commenting, “This doesn’t seem like a suicide.”
Balaji was discovered dead in his San Francisco apartment months after accusing OpenAI of violating copyright laws during the development of ChatGPT, as reported by Fox News. Despite these claims, the San Francisco Police Department found no evidence of foul play and ruled the death a suicide.
On October 24, shortly before his death, Balaji voiced doubts about the “fair use” defense in generative artificial intelligence. “I recently participated in a NYT story about fair use and generative AI, and why I’m skeptical ‘fair use’ would be a plausible defense for a lot of generative AI products,” he wrote on X.
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